Border clip art images
Boss fight
2017.08.03 05:07 Thevisi0nary Boss fight
Pictures of things that could be boss fights, any kind of picture, gif, or video may be used. Come up with a boss name for the title, and if desired add some stats and or back story in the comments. Make your title as creative as possible, something more than "lord of x", or "B'oss".
2012.04.10 04:26 Overlord
Overlord Anime/Manga/Novel Discussion. Spoilers for Anime-Onlys.
2012.11.08 23:21 Dickfore Physics gone wild!
Gifs and videos of game physics and glitches
2023.05.29 23:00 Starman_Tumbleweed Jester Race Cover Art without Comic Sans?
2023.05.29 22:51 RaindogFloyd Now I get it!
| I’m about ten years of practice and tech behind most of you. I just bought my first real camera- a used Canon T4i (aka 650d) DSLR w/4 lenses in preparation for an upcoming Alaska cruise. I’ve always had an interest in quality photos but never saw myself as a photographer -especially with the price and hassle of a lot of gear and since iPhones seem to commoditize the art. But I’ve also been drawn to nature, road trips and learning -so it seems like an exciting area of expression. Capturing this image on my first day only to later zoom in and realize there was a surprise visitor in the scene made me finally get it. It’s not about being the world’s best photographer, it’s about exploring nature and seeing how much beauty there is to capture. Any advice on how you would crop this one? If at all? And how did you prioritize your learning journey? My plan is to focus on observation, composition, exposure triangle, and learning my camera and lenses for the first year. I’d like to focus on landscapes and forests/flowers/animals and then maybe architecture and astro. Is that mix manageable for a newbie or should I swim in just one pond for awhile before branching out? submitted by RaindogFloyd to AmateurPhotography [link] [comments] |
2023.05.29 22:50 Charidotella [WINDOWS][1995-2002] - French educational point-n-click game
I am trying to track down a game I vaguely recall playing in the computer lab at my elementary school...
Platform: PC computer, I think either Windows 95, ME, or XP. There's a possibility it was a browser game but I'm not sure.
Genre: A kid’s educational point and click game. I played it at a Canadian French immersion school and I'm almost completely sure it was a French language teaching thing. It may have had a mystery or puzzle element.
Estimated year of release: Very likely between 1995 and 2002, based on the format and the age of other games on the same school computers. I played it between 2007 and 2012, so there’s a chance it could be a bit newer.
Graphics / Art Style: It was a 2D point and click with visuals sort of like an illustration from a kids book or a 2D cartoon. Not much animation. It was sort of pixelated, but not in a distinct pixel art style - you could just see the pixels in the lines of the art. A game that was sort of similar in style and illustrates what I mean - and which I know for sure was on the same school computers - is
Trudy’s Time and Place House. The game I have in mind had darker, more vivid colours and a higher level of detail. I remember lots of backgrounds with buildings. Another game I found while searching is
Au Pays de Vocabulon, which is pretty close in visuals and concept - it has a similar travel/exploration theme and language education and it's in French, but I never played it, so it's not a match.
Notable Characters: The only character I remember was, I think, supposed to be the main character. She was drawn in 2D like the rest of the game and seen from a side or 3/4 profile standing up and walking around. She had striped white and red stockings, a skirt, short dark hair, and a beret. She might have had a sidekick like an animal or a little robot.
Notable Gameplay Mechanics: I don't recall much about gameplay mechanics. I know it was fairly simple and there might have been some puzzles or spelling/word and image association minigames/etc. like most of the educational games we played.
Other Details: I remember the main character walking around in cities, specifically places like Venice and Paris. The scene I can picture most clearly has a river or canal and something with a boat/gondola riding on it, or a submarine, or tunnels beneath city streets. I want to note that this was not a Madeline game, by the way.
submitted by
Charidotella to
tipofmyjoystick [link] [comments]
2023.05.29 22:46 Ryder104pak36 my ground ( a plane ) is bathing under a shadow for no reason
2023.05.29 22:44 jhk84 First time playing. Going in blind. Just beat the 4th Palace here is my 4th wave of way off predictions.
submitted by
jhk84 to
Persona5 [link] [comments]
2023.05.29 22:36 NonEuclideanHumanoid How do I convert text into an image?
I was trying to blur some text so that it would look glowy, but for some reason blurring it makes it black. I think I have found the issue and its that it only blurs within the text, which looks awful. Is there a way to convert a title clip into an image texture? Or just a way to blur it correctly in general? I tried using the three glow effects and they have the same issue.
submitted by
NonEuclideanHumanoid to
kdenlive [link] [comments]
2023.05.29 22:32 Alternative-Spite198 [TOMT] possibly disturbing cartoon about drgs (disney princesses) (vintage)
So when I was 6-8 I had unrestricted access to the internet and all I did was use YouTube. I watched a lot of dark versions of kids cartoons, but this one definitely takes the cake. I found it when I saw a thumbnail of Ariel crying messily with mascara running down her face (it was drawn). I clicked on it and here's what I saw. (There are four videos) All that I remember for the first video is that there were girls at a Halloween party and they had chicken pox. The person in the Ariel costume says "I can't feel my fin!! >o<" and the person dressed like Aurora replys "You're in a costume..." . The second video I watched was Superman putting needles in his veins and him having chicken pox afterwards. The third video was Meg (Hercules) smoking on a car. The fourth video was someone opening the door to a sick Bambi and his lover saying" Please help ヾ(゚д゚)ノ " (he has the chicken pox too) Things to know about the videos :
The Ariel in the thumbnail had nothing to do with the video.
I watched these videos in 2010-2013
The videos were in 2d American animation
It was not Elsagate, the animation was too high quality for it.
The animation was pretty standard, nothing too special.
The art style was realistic like your average superhero comic.
It felt like the Bambi clip was from a different show, but I would like to find it anyways.
The clips were super short.
Thank you, feel free to ask me any questions.
submitted by
Alternative-Spite198 to
tipofmytongue [link] [comments]
2023.05.29 22:27 Yodartist There are loads of ways to create art and images these days, from conceptual art to media art, and from hand-drawn images to those made using artificial intelligence. Personally, I really enjoy working with tangible materials, which is why I mainly focus on painting
2023.05.29 22:25 robilip AI, deepfakes, what's next?
AI exacerbates longstanding fears about deepfakes even more. Even a few years ago, in order to create a high-quality deepfake that not only my grandmother would believe in, really good skills were necessary. Now almost anyone can easily make a high-quality deepfake.
Now the problem of fake content extends beyond text-based news to visual content as well. As companies and creators become increasingly active on social media, sharing more photos and videos, we have seen a rise in deepfakes and other manipulations of visual and audio representations of people. For example, Symantec
discovered several cases of large-scale fraud where deepfake audio was used to mimic the voices of company executives instructing employees to transfer money to specific accounts.
To combat this growing threat, it is crucial to be aware of and employ effective strategies to avoid falling victim to deepfake news.
- Educate Yourself about Deepfake Technology: Understanding what deepfake technology is and how it works is the first step toward protecting yourself. Familiarize yourself with the concept of deepfakes, their capabilities, and the potential risks they pose. Stay updated on the latest developments in this field to better identify potential threats.
- Verify the Source: One of the most critical practices in combating deepfake news is to verify the source of the information. Always question the credibility of the content you encounter online. Verify whether the news comes from a reputable and reliable source. Look for multiple independent sources that can confirm the accuracy of the information. It can be very useful to study the reliability of the content, comparing it with what is available in other languages. Translation and dubbing services like vidby can help you do this easily.
- Analyze the Context: Deepfake videos or images are often created to spread false narratives or manipulate public opinion. Analyzing the context surrounding the content can help you discern its authenticity. Consider the timing, location, and events surrounding the news. Misleading information may be accompanied by inconsistencies, implausible scenarios, or unusual behavior that can serve as red flags.
- Scrutinize Video and Audio: When encountering a video or audio clip, pay close attention to the details. Deepfake videos may exhibit subtle anomalies that can betray their artificial nature. Look for discrepancies in facial expressions, eye movements, or lip sync. Similarly, listen for irregularities in audio, such as unnatural voice modulation or inconsistency in the speaker's tone and accent.
- Rely on Trusted Fact-Checking Sources: To combat the spread of deepfake news, rely on reputable fact-checking organizations. These organizations employ experts and employ stringent verification processes to expose false information. Consult fact-checking websites and platforms dedicated to debunking rumors and misinformation.
- Utilize Digital Forensics Tools: Various digital forensics tools are available to assist in detecting deepfake content. These tools analyze video or image metadata, identify editing artifacts, or use machine learning algorithms to detect manipulations. By utilizing such tools, you can add an extra layer of scrutiny to the information you encounter online.
- Promote Media Literacy: Enhancing media literacy is crucial in the fight against deepfake news. Educate others about the existence of deepfake technology and its potential impact on society. Encourage critical thinking and responsible sharing of information. By spreading awareness, we can collectively reduce the spread of deepfake news.
submitted by
robilip to
u/robilip [link] [comments]
2023.05.29 22:13 Direct-Ad-912 Funny, they keep forgetting about us in the "Image" category
2023.05.29 22:08 OldBayJ [OT] Micro Monday: Summer Vacation!
Welcome to Micro Monday
Hello writers and welcome to Micro Monday! It’s time to sharpen those micro-fic skills. What is micro-fic, you ask? Micro-fiction is generally defined as a complete story (hook, plot, conflict, and some type of resolution) written in 300 words or less. For this exercise, it needs to be at least 100 words (no poetry).
However, less words doesn’t mean less of a story. The key to micro-fic is to make careful word and phrase choices so that you can paint a vivid picture for your reader. Less words means each word does more!
Each week, I provide a simple constraint or jumping-off point to get your minds working. This rotates between simple prompts, sentences, images, songs, and themes. You’re free to interpret the weekly constraints how you like as long as you follow the post and subreddit rules.
Please read the entire post before submitting. This week’s challenge:
- Theme: Summer Vacation
- Bonus Constraint: Story is written in 3rd person, limited POV.
This week’s challenge is to use the theme of ‘summer vacation’ as inspiration for your story. You may interpret the theme however you like, as long as the theme is present and/or the connection is clear. The bonus constraint and use of the image are not required.
Note: Don’t forget to vote for your favorites next Monday! (The form usually opens at about 11:30am EST Monday.) You get points just for voting.
You can check out previous Micro Mondays here.
How To Participate
- Submit a story between 100-300 words in the comments below. You have until Sunday at 11:59pm EST. (No poetry.)
- Use wordcounter.net to check your word count. The title is not counted in your final word count. Stories under 100 words or over 300 will be disqualified from campfire readings and rankings.
- No pre-written content allowed. Submitted stories should be written for this post, exclusively. Micro serials are acceptable, but please keep in mind that each installment should be able to stand on its own and be understood without leaning on previous installments.
- Come back throughout the week, read the other stories, and leave them some feedback on the thread. You have until 2pm EST Monday to get your feedback in. Only actionable feedback will be awarded points. See the ranking scale below for a breakdown on points.
- Please follow all subreddit rules and be respectful and civil in all feedback and discussion. We welcome writers of all skill levels and experience here; we’re all here to improve and sharpen our skills. You can find a list of all sub rules here.
- Nominate your favorite stories at the end of the week using this form. You have until 2pm EST next Monday to submit nominations. (Please note: The form does not open until Monday morning, after the story submission deadline.)
- And most of all, be creative and have fun! If you have any questions, feel free to ask them on the stickied comment on this thread or through modmail.
Campfire
Important Announcement: There will be no Campfire on next Monday, June 5th! - On Mondays at 12pm EST, I host a Campfire on our Discord server. We read all the stories from the weekly thread and provide live feedback for those who are present. Come join us to read your own story and listen to the others! You can come to just listen, if that’s more your speed. Everyone is welcome!
How Rankings are Tallied
We have a new point system!
TASK | POINTS | ADDITIONAL NOTES |
Use of the Main Prompt/Constraint | up to 50 pts | Requirements always provided with the weekly challenge |
Use of Bonus Constraint | 10 pts | (unless otherwise noted) |
Actionable Feedback | up to 15 pts each (5 crit max) | You’re always welcome to provide more crit, but points are capped at 75 |
Nominations your story receives | 20 pts each | No cap |
Bay’s Nominations | 20 - 50 pts | First- 50 pts, Second- 40 pts, Third- 30 pts, plus regular noms |
Voting for others | 10 pts | Don’t forget to vote before 2pm EST every week! |
Users who go above and beyond with feedback (more than 2 in-depth, actionable crits) will be awarded Crit Credits that can be used on WPCritique. Note: Interacting with a story is not the same as feedback.
Rankings for [Last Week]()
Subreddit News
- Join our Discord to chat with authors, prompters, and readers! We hold several weekly Campfires, monthly Worldbuilding interviews, and other fun events!
- Experiment with tropes and different genres with the brand new feature Fun Trope Friday on WritingPrompts!
- Explore your self-established world every week on Serial Sunday!
- You can also post serials to Shortstories, outside of Serial Sunday. Check out this post to learn more!
- Looking for more in-depth critique for a story? Check out our new sub WPCritique!
submitted by
OldBayJ to
shortstories [link] [comments]
2023.05.29 22:07 IndolesCress The Jewelers in the Sky
Sorry for the very new account. Where I live using mushrooms apparently gives the world the right to destroy my life and choke me dead but I want to share what I have seen and learned.
This trip is started out like many others and likely would have been utterly unremarkable but It became so much more than that. I've been on this journey of self-exploration for a while, and I've been slowly working my way up to see how the doses of psilocybin would feel as I slowly increased the grams. I took 3.5 dried grams of psilocybe cubensis using the lemon tek. I was in the arms of my life lover and with my newborn third son sleeping on my chest. We watched zootopia and zootopia+ stuff until I told my lover I literally cannot and just wanted storm sounds.
It is then I heard a call. It's hard to describe this feeling, but I felt like I needed to take the rest. It's not the same feeling as "I just wanna stay high" or "Aw this isn't strong enough I need more." There was another 2.5 grams I had saved for my lover, but she looked into my eyes and said, "Take it, its ok."
I will not bore you with the minutiae of the closed eye visuals. They were, though gorgeous, and often ineffable, completely irrelevant. However, the important bit is this: I kept seeing these little pinprick black holes in my visuals that I out loud proclaimed "I've seen you before."
You see… I've had a … well, to call her a spirit GUIDE would mean to invite such silly things as performance assessments and THOSE might come with some unfortunate results such as "Neglectful" "Enabling" and even "Spiteful". But, however, for those who watch over my flock, I am told that this is the way that it must be done. So I humbly accept that this entity is my spirit guide, and that I looked into those pits and I felt her say to me. "Finally, I can show you."
"Brothers and sisters, this one is opening their eyes. This one is going to make it!"
My eyes fluttered open like a newborn child choking and gasping for its first real breath. My blurry vision was instantly overtaken with the images of beings that stretched into the sky. Beings made up of feathery plantlike jewelscapes of immense unfathomable beauty fanning out into the air like the tail of a peacock, the unfurling of a vivid flower, or the technicolor wings of a bird of paradise. Each feather or leaf was a masterfully crafted jewel and as a I gazed into them one by one I was overwhelmed with tales of wonder and tragedy, art galleries and portfolios forged over millennia like carefully curated museum collections, multi act plays with characters both human and inhuman singing tales so strange I was paralyzed with fascination. But they were not perfect. No, in those jewels I also saw the failures, the epic creative catastrophes so terrible that they are beautiful in their own right. The learning process, though messy, was also a thing of wonder and was featured alongside the masterpieces.
Finally one of them, an old one, a painter and a singer, spoke to me. She tried to communicate with me and I was like a baby watching an adult fawn over a newborn whose blinking overwhelmed eyes don't know how to translate the alien words being cooed at it. Her words were forged from technicolor arrays of faceted gemstones and exquisite operatic verses. My human brain was unable to comprehend this language, but I seemed to instinctually understand what she was telling me.
This is what she told me…
"In the end, when our mortal coils shuffle…
So long as the world hasn't choked us dead…
There is always a flock there waiting…
Waiting for that which may sprout from the soil…
…and open its dying eyes."
Let me tell you what I learned about my brothers and sisters…
Let me tell you about what I am.
I am a Jeweler in the Sky.
A Jeweler creates, it doesn't know why.
Their urge is to forge and paint the sky.
Each is a fantastic menagerie of artistic conception,
On display for all to see, unconfined by limits or direction.
At the heart of each is a smoldering, frothing, white hot cauldron of inspiration.
Heated by a messy, hungry, smoking bonfire of wild motivation.
Jewelers love nothing more than the fixated wondering interest,
of those who look upon their facets in both adoration and disgust.
Attempting to least and control our creative fanciful flights,
will do nothing but make us snarl and hiss and bite.
We are loved by all, but wanted by none.
An unwelcome wildflower in your carefully manicured gardens.
But always a welcome sight on a melancholic stroll through those estates,
when you find that the vine of a jeweler was there all along
waiting to show you something unexpected indeed.
Not what you wanted at all,
but perhaps exactly what you were looking for in the end.
I wanted to pierce the sky. I was overwhelmed but wanted to reach up and fan out like them, but I could not. I looked around and saw that I was stuck to the side in the ground, unable to spread anything. I also found that all the jewels I could find in me were shattered hysterical mistakes held together with the slag of failed metal forgings. I was horribly embarrassed with myself and hid them away in shame. I looked around and there were others like me, jagged messy globs that laid there unmoving.
"Where am I? Why can't I paint the sky?" I asked, fully crying out.
"So few of us are born anymore. The macrocosm of the soil so often chokes our kind dead. So it is then that even those who never paint the sky are still celebrated; for their small, scrappy, disjointed jewels are still their life's work. Once the soil reclaims their souls, even those should still be remembered."
"But you will not be reclaimed. You will join us one day. However, for now, your eyes must once again close."
"Why can't I stay?" I asked, like a child crying as it is being sent to bed, knowing its family will be gone in the morning.
"Because, young Jeweler, even the oldest among us, whose facets stretch beyond the sky and form the constellations of the heavens your young eyes cannot yet see, know one simple truth."
"You cannot fan out,
you cannot sprout,
you cannot reach beyond the sun…
until your time in the soil is done."
The rest of the night and early morning was filled with "normal" hallucinatory states that, like I mentioned before, are gorgeous and entertaining but pale in comparison to the gravity of what I just experienced. What I witnessed was not a mushroom trip. The mushroom trip helped open a tiny window and I caught a brief glimpse of what lies beyond. So much of my life makes sense now, and I have gained a lot of closure.
There are wonderful things that await each of us when we open our dying eyes… as long as we are true to ourselves and good to those around us. I'm sure of it now.
submitted by
IndolesCress to
shrooms [link] [comments]
2023.05.29 22:06 JoelSnape An introduction to the Saturn Polar Configuration (for those who may be new to the subject)
| In his groundbreaking book ‘The Saturn Myth’ (inspired by the work of Immanuel Velikovsky who has correspondence with Albert Einstein about his ideas) researcher David Talbott analyzed myths from ancient cultures around the world and found that they all described the same phenomenon surrounding Saturn. He found that symbolism for Saturn is the same throughout ancient Mesopotamia, India, Greece, the Americas, and Egypt — and as documented by ancient cultures, explains how there was once a celestial alignment involving Saturn that occurred thousands of years ago. Based on ancient accounts throughout the world, Talbott describes a period of “great upheaval” in celestial bodies, when Saturn, Venus, and Mars descended and aligned overhead Earth in a spectacular astronomical event dubbed the “Saturn Polar Configuration”. As Talbott says in ‘The Saturn Myth’: “[The Saturn Polar Configuration is] the idea based on comparative mythology, that the Earth was once in close proximity, or even a satellite of the planet Saturn”. During this celestial upheavel, Mars descended from its position in the sky and formed a connection or stairway to Saturn which became known by the ancients as the heaven-sustaining giant Atlas, Mount Olympus, and the Tower of Babel, inter alia. Various cultures around the world recorded this celestial stairway. For example, the Makirtare Indians of the Amazonian rainforest tell of a time where the hero Ahishama, identified as Mars, climbed a stairway to Heaven. The Mesopotamian god Nergal also climbed a stairway to Heaven and was identified as Mars. Talbott calls this stairway the “Cosmic Mountain”. There are various illustrations of how this alignment would have looked here. COSMIC MOUNTAIN TO SATURN During this time of celestial upheaval, Saturn and the other bodies that were aligned with it went through various configurations in the sky (see the documentary series ‘Discourses on an Alien Sky’) and at one point the light emanating from Venus behind Mars formed what appeared to be a pupil inside a triangle that Talbott associates with the All-Seeing-Eye. As Talbott explains in ‘The Saturn Myth’: “It’s impossible to pursue Saturn’s ancient image without encountering the paradise of Eden, the lost Atlantis, or the All-Seeing-Eye of heaven”. The Saturn Polar Configuration was mostly characterized by an 8-pointed star or 8-spoked wheel. Here is an image of Saturn holding an 8-spoked wheel (as shown in ‘Discourses on an Alien Sky’). The crescent under Saturn was morphed and anthropomorphized. The Saturn-crescent was morphed into wings — with the solar disc (Saturn) placed in the centre, such as with the Egyptian winged Kheper. Quote from ‘The Saturn Myth’: “Of the crescent in the primary images and ancient sources present these basic forms: The horns of the bull-god or the uplifted arms of the heaven-sustaining giant [such as Atlas]. The outstretched wings of the mother goddess (or winged god). But these same wings, or arms, constitute the great god’s sailing vessel [ Saturn Ship] which in turn is depicted as two shining horns”. As Talbott points out in ‘The Saturn Myth’, the fundamental themes of Saturn imagery include the the Saturn Ship, the All-Seeing-Eye, the two sacred pillars of Heaven (morphed into the Hercules and Masonic pillars) — the two shining horns and uplifted arms of the heaven-sustaining giant which were all based on the same celestial alignment in the sky. https://preview.redd.it/66tfb9crav2b1.png?width=750&format=png&auto=webp&s=c2c9f5dd75b84ca829e00d094d5669d4d3482229 The 8-pointed star (as seen in the Saturn Polar Configuration and as shown above) is a symbol of Freemasonry. The Masonic image below has a circle inside the 8-pointed star (called the circumpunct — an ancient symbol of the Sun). In his book ‘Morals and Dogma’, 33 degree Freemason Albert Pike connects the ancient Sun to the All-Seeing-Eye and the Masonic Blazing Star, saying: “The Blazing Star has been regarded as an emblem of Omniscience, or the All-Seeing-Eye, which to the ancients was the Sun”. This is curious, because we know that the ancients considered Saturn to be the Sun — as explained by Talbott in ‘The Saturn Myth’. The Babylonians associated Saturn with the Sun (as “son of Shamash” and “star of Helios”) and the name for Saturn in Chaldean astronomy was Alap-Shamas, meaning “Star of the Sun”. In the article ‘Saturn as the Sun of Night in Ancient Eastern Tradition’, Peter James says, “attested in Mesopotamia and followed by the Greeks and Hindus, there’s a long-standing association with Saturn as the Sun”. Troy McLachlan, says, in his book ‘The Saturn Death Cult’: “The ancients did indeed see a Sun-like object residing in their skies — and that object was Saturn”. According to political scientist Alfred De Grazia in his book ‘Homo Schizo: Human Nature’, Isaac Vail (who was an amateur scientific theorist) connected the All-Seeing-Eye (which remember was the Masonic Blazing Star) to the Saturn Polar Configuration, saying: “The All-Seeing-Eye is one of the earliest and most nearly universal symbols. Isaac Vail believed that the primordial eye was the boreal opening from which Saturn on his throne looked down upon his domain”. The letter G in the image below takes the place of Venus in the Saturn Polar Configuration. 33 degree Freemason Arthur Waite quotes famous occultist Eliphas Levi telling us that the letter “G” stands for Venus (see his book ‘The Mysteries of Magic: A Digest of the Writings of Eliphas Levi’). https://preview.redd.it/6utnkyytav2b1.png?width=467&format=png&auto=webp&s=bf8ccc7bf37d0ddae3b5b4aa0285d8f2c64f859b Another instance of the 8-pointed star on a Freemason building in Lisbon: https://preview.redd.it/08azng1wav2b1.png?width=639&format=png&auto=webp&s=f512374111edcaf0ef5b48f2689ef9a910b87fd3 During the various configurations of the Saturn Polar Configuration that produced various visual characteristics, the smaller orb of Venus (and also at different times Mars which produced a darker dot as shown here from ‘Discourses on an Alien Sky’) appeared as a circumpunct that passed in front of the larger orb of Saturn. As Talbott explains in ‘The Saturn Myth’: “From one section of the world to another the planet-god’s worshippers drew pictures of the Saturnian Configuration and these pictures become the universal signs and symbols of antiquity. In the global lexicon of symbols, the most common images are the enclosed Sun ⊙ [the ancient Sun corresponding to Saturn according to Talbott] and the enclosed Sun cross ⊕. It appears that every ancient race revered these signs”. Author Dan Brown explains the circumpunct as follows: “In the idiom of symbology, there was one symbol [the circumpunct] that reigned supreme above all others. The oldest and most universal, this symbol fused all the ancient traditions in a single solitary image that represented the illumination of the Egyptian Sun-god, the triumph of alchemical gold, the wisdom of the Philosopher’s Stone, the purity of the Rosicrucian Rose, the moment of Creation, the All, the dominance of the astrological Sun, and the omniscient All-Seeing-Eye that hovered atop the unfinished pyramid”. According to Wikipedia: “Throughout history, the circumpunct has been all things to all people — it’s the Sun-god Ra, alchemical gold, and the All-Seeing-Eye”. In ‘The Saturn Myth’, Talbott identifies Ra as Saturn, saying: “One finds of interest an Egyptian ostrakon (1st century B.C.) cited by Franz Boll: The ostrakon identifies the planet Saturn as the great god Ra”. The circumpunct can be seen in Freemason artwork (as shown below). The image on the bottom right is an illustration of the Saturn Polar Configuration from the documentary ‘Symbols of an Alien Sky’ (with Venus as the luminous dot). https://preview.redd.it/8xsmwgezav2b1.png?width=750&format=png&auto=webp&s=adc33c03e84d3d3f973ccb9ff44d812cb8875516 The luminous U-shape created by the Saturn-crescent became morphed into pillars. Talbott says in ‘The Saturn Myth’ when explaining the twin-pillar or twin-peaked crescent of the Saturn Polar Configuration: “In all ancient myths of the lost paradise, the land of peace and plenty rests upon a cosmic pillar — “Earth’s highest mountain”. One of the peculiarities of the Mount is that it possesses two peaks, rising to the right and left of the central column. The Egyptian Mount of Glory (Khut) reveals two peaks between which rests the Aten or enclosed Sun 𓈌. Depicted by this sign are “the two great mountains on which Re appears”. And what is most interesting about the Egyptian symbol of the cleft peak 𓈋 is that it finds strikingly similar parallels in other lands. The Mesopotamian Sun-god rests upon a twin-peaked world mountain of identical form and the same dual mount occurs also in Mexico — here too revealing the Sun-god between the two peaks. In Hebrew and Muslim thought “the mountain of paradise is a double one” observes Wensinck. To the Hebrews Sinai, Ebol, and Gerezim were all conceived as images of a twin-peaked mountain, states Jeremias. In the primeval Tyre (paradise) according to the description of Nonnus, a “double rock” rises from the ocean. In its centre is an olive (the central Sun) which automatically emits fire, setting it in a perpetual blaze. The Syrian and Hittite great gods stand equally balanced upon two mountains. In the beginning, according to a central Asiatic legend related by Uno Holmberg, “there was only water, from which the two great mountains emerged”. From the central mount of Hindu cosmology rise two secondary peaks. Of course, the twin pillars of Hercules point to the same idea”. In his book ‘Mortal Jigsaw Puzzle’, Grieving Patriot says: “In ancient history, this twin pillar construct is also referred to as the pillars of Hercules, a gateway beyond which lay the path to enlightenment”. https://preview.redd.it/lvcvkrq2bv2b1.png?width=669&format=png&auto=webp&s=dc0fe919e01594a12065de19fe5ef2c278d62ec2 Notice the Saturn-crescent below which appears as two pillars: https://preview.redd.it/6x1zyhb5bv2b1.png?width=231&format=png&auto=webp&s=c2cf5fa59523763971c1545cfa46ee1b9887a9fe This same symbol is seen throughout the ancient world such as the Phoenician Tanit symbol where the Saturn-crescent has become fully morphed into pillars: https://preview.redd.it/6bus33k7bv2b1.png?width=220&format=png&auto=webp&s=c0fe6fd3b9553294d3fabfbb66cbb46885c86e25 The symbols above became the basis for Freemason Tracing Boards showing the Blazing Star placed between two pillars: https://preview.redd.it/478ni6s9bv2b1.png?width=430&format=png&auto=webp&s=096f861563619f6a8a60cd69bc57e87eaced8d8c In ‘The Saturn Myth’, Talbott corresponds the Saturn Polar Configuration to a gateway, saying: “The god “comes out” and “goes in” on the [Saturnian] mountaintop through the “gate”, but he accomplishes this without moving from his fixed abode”. Talbott also cites Coffin Text talking about how the Saturn Polar Configuration was a portal. The text reads: “I did four good deeds within the portal of the Mount of Glory. I made the four winds that every man might breathe”. Talbott explains that the sign 𓈌 is the Mount of Glory. This is the same sign given by Talbott for the Saturn Polar Configuration. Talbott expands on the idea that the Saturn Polar Configuration was a kind of gate in his article here in which he says: “One of the archetypal forms I had discussed involved the global myths and symbols of the “Chain of Arrows”, a theme inseparably connected to another archetype, the “Ladder of Heaven”. As the story was told, a great warrior launches arrows into the sky, each embedding itself in the one above to form a ladder or stairway to the land of the gods”. The Saturn Polar Configuration went through various configurations that produced various visual characteristics, but was mostly characterized by an 8-pointed star. The 8-pointed star was known as the “Cross of Ilu” or “Bab-Ilu” which means “Gate of God”. According to investigative mythologist William Henry, author of over 18 books in alternative science, the 8-pointed star represented a portal or a Gate of God, saying: “Wherever archaeologists discovered remains of the early Sumerian civilizations the symbol of the “Gate of the Gods” was prominently displayed. The Sumerians depicted this gate as an 8-pointed star”. Since the beginning of the written word, countless stories have begun by ripping holes in the fabric of reality and pulling their protagonists through. Portals date back to the oldest written text we have on record — the 4,000-year-old Sumerian tale Epic of Gilgamesh — in which the hero travels through a mountaintop portal to the land of the gods. In the Epic of Gilgamesh, the hero travels to the gate of the Sun-god Shamash at the mountain of Mashu. The same 8-pointed star keyhole symbolism as the Saturn Polar Configuration is shown below on a Masonic stained-glass window: https://preview.redd.it/oow7tgmhbv2b1.png?width=445&format=png&auto=webp&s=3fb43f1b14b2c6588e39e2ecd93aa0255508e922 Even though the Saturn Polar Configuration corresponds to the Masonic image above of the Blazing Star between the pillars, it’s generally assumed that the Blazing Star between the Masonic pillars is Sirius — not Saturn or Venus. Masonic historian Henry Coil says: “But whether the Blazing Star refers to Saturn or the Sun or some other heavenly body is not ascertainable”. In his book ‘Myth, Magick, and Masonry’, Jaime Lamb connects the Masonic Blazing Star to Venus, saying: “The Blazing Star’s relationship to Venus (also anciently known as the Morning Star) may best be illustrated by the fact that it’s represented in the form of a pentagram. This significance comes primarily from the fact that Venus traces [a perfect pentagram across the sky every eight years when observed from Earth”]. The fact that the Masonic Blazing Star is also sometimes represented by an 8-pointed star (as shown in the image above) might also point towards it being Venus. The Mesopotamian goddess Inanna was worshipped as the embodiment of Venus and her symbol was the 8-pointed star. In the 1875 of ‘Freemason’s Monthly Volume 6’, we read: “Venus, whose orbit is within but on a level with our own… is the brilliant “Blazing Star” that heralds the rising or attends the setting Sun”. While some argue that the Masonic Blazing Star is Venus, some have suggested that it could be Jupiter. The ancient Greeks knew Jupiter as Phaethon (Φαέθων) meaning “Shining One” or “Blazing Star”. Whether the Masonic Blazing Star is Sirius, Saturn, Venus, Jupiter, Alcyone, Aldebaran, the Moon, or some other heavenly body, it’s acknowledged by some that Freemasons misguide people as to the true meaning of their symbols. For example, the prominent Freemason, Albert Pike, said in his book ‘Morals and Dogma’: “Part of the symbols are displayed there to the initiate, but he is intentionally misled by false interpretations. It’s not intended that he shall understand them; but it’s intended that he shall imagine that he understands them”. Part of the problem is that much of what Freemasons are doing is buried under layers of armour-clad secrecy so many strata deep that only archaeologists of the distant future will have any hope of disinterring any of these things. The Egyptian symbol of the Ankh was based on the Saturn Polar Configuration, as Talbott explains in ‘The Saturn Myth’, saying: “The Ankh (whose origins experts have long debated) is but a conventionalized image of the [Saturn] Polar Configuration”. In his book ‘Secret Societies: Revelations About Freemasons’, Philip Gardiner explains that the Ankh was seen as a gateway or portal into a higher dimension. Quote: “The Ankh is known as the Crux Ansata. It’s a simple T-cross, surmounted by an oval — called the Ru. The Ru is often seen as a gateway or portal to another dimension, such as Heaven. The Ankh therefore becomes the symbol of transition from one place to another. It outlived Egyptian domination and was widely used by the Christians as the [Latin] Cross”. As well as being linked to the Ankh, the Saturn Polar Configuration can be linked to other symbols, such as the symbol of the All-Seeing-Eye. Probably the most recognizable Masonic symbol is the All-Seeing-Eye, included in the architecture of the Great Seal of the U.S. Dollar Bill. Fixed within a triangle, the disembodied eye is surrounded by rays of light and rests upon an unfinished pyramid. The All-Seeing-Eye finds its roots in ancient Egypt as the Eye of Horus (or Ra) and can be traced back to the Saturn Polar Configuration. During the alignment of Saturn, Venus, and Mars, in their different configurations, they formed a triangle and 8-pointed star. Quote from ‘The Saturn Myth’: “Saturn wears the band as a golden girdle, collar or crown. He dwells in it as the pupil of the All-Seeing-Eye”. To see this All-Seeing-Eye alignment explained see ‘Discourses on an Alien Sky#5’. The image below is loosely how this would have looked. In his (co-authored) book ‘The Ark of Millions of Years’, physicist Alexander Agnew, who has published thousands of technical papers, says: “The portal into Heaven is marked by the All-Seeing-Eye”. So, could this be what the Saturn Polar Configuration essentially is, then? Some portal or gateway into Heaven? THE SATURN POLAR CONFIGURATION FROM ‘DISCOURSES ON AN ALIEN SKY’ This is likely the inspiration for the All-Seeing-Eye on the U.S. Dollar Bill. https://preview.redd.it/uwxl1cipbv2b1.png?width=641&format=png&auto=webp&s=f8f880f2d3343a38e88b941370f234ff869c1023 Some have suggested that the symbols on the U.S. Dollar Bill were created by Freemasons. After all, some of the Founding Fathers were apparently Freemasons (such as George Washington and Benjamin Franklin) and the All-Seeing-Eye was ostensibly adopted by Freemasonry in 1797 and only 5 years later was adopted on the reverse-side of The Great Seal. Many believe that Freemasons are responsible for the eye-excruciatingly small image of the owl; a Masonic symbol for “knowledge”. So, what’s the goal of Freemasons, then? Assuming the All-Seeing-Eye on the U.S. Dollar Bill is a respresentation of the Saturn Polar Configuration, which Talbott has associated with the Tower of Babel, we then have a connection between Freemasons and the Tower of Babel. Indeed, some have suggested that the pyramid on the U.S. Dollar Bill is a representation of the Tower of Babel. According to researcher Jim Cornwell: “The pyramid on the Great Seal represents the unfinished Tower of Babel”. In his book ‘Antichrist Osiris: The History of the Luciferian Conspiracy’, Chris Relitz writes: “The unfinished [pyramid] seen on the American Dollar Bill may be a reference to the Tower of Babel”. According to Christopher Hodapp in his book ‘Freemason Symbols and Ceremonies For Dummies’: “Freemasonry’s legends claim that the group was descended from the great builders of the Old Testament — Noah’s Ark, the Tower of Babel, and King Solomon’s Temple”. Researcher Alexander Slade describes how Freemasons were possibly responsible for the Tower of Babel. Tentatively then, it would make sense if the goal of Freemasons was to recreate the Tower of Babel and reconnect Heaven with Earth. Below is an old Freemason Tracing Board showing the All-Seeing-Eye over a pillar, with the pillar likely representing the Cosmic Mountain: https://preview.redd.it/lf6u7dxwbv2b1.png?width=476&format=png&auto=webp&s=bfc01b8fd71b15fb116ec32fea46fbf6393fac64 The image below is a comparison between the Masonic Square and Compass (on the left) the Stargate logo (in the centre) and the Cosmic Mountain to Saturn and Venus (on the right) also called the “Saturn Polar Configuration”. The design of the Square and Compass corresponds to the configuration of Saturn, Venus, and the Cosmic Mountain, as seen in ‘Discourses on an Alien Sky’. In this interpretation, the circle at the apex of the Masonic Compass represents the Blazing Star and the triangular appearance of the Compass itself represents the Cosmic Mountain or pathway. https://preview.redd.it/f90wb6wzbv2b1.png?width=645&format=png&auto=webp&s=e26ff16f7d653d84831ce8f7e2af04a0c0d1077e The connection between Freemasonry and the Saturn Polar Configuration becomes more apparent when we compare the stained-glass painting above to the front cover of ‘The Saturn Myth’ book as shown here. submitted by JoelSnape to SaturnStormCube [link] [comments] |
2023.05.29 22:04 cinematic_beagle Windows+shift+s notification not appearing
Pressing Windows+shift+s works perfectly but whenever I manage to screenshot something the notification/image doesn't appear on my screen. And if I press windows+shift+s after clipping something, the overlay doesn't work. I have tried all youtube tutorials but they didn't help.
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2023.05.29 22:04 Klokinator The Cryopod to Hell 492: Glinch's Thralls
Author note: The Cryopod to Hell is a Reddit-exclusive story with over three years of editing and refining. As of this post, the total rewrite is 1,933,000+ words long! For more information, check out the link below: What is the Cryopod to Hell? Join the Cryoverse Discord server! Here's a list of all Cryopod's chapters, along with an ePub/Mobi/PDF version! Want to stay up to date on TCTH? Subscribe to Cryopodbot! ...................................
(Previous Part) (Part 001) ...
On the world of Numaria, more than half a dozen Demon Emperors and twenty Demon Dukes march through the paradise-class planet's forests as they head toward Emperor Glinch's Stitched Wasteland.
Emperor Auger does not directly join the party. He stays back at the capital of his world, viewing the happenings remotely through the power of a subordinate.
But Yardrat does lead the party. He is joined by Emperors Fae, Dagon, and Nymph, as well as Duke Hamir and several other elites of their Hell. It becomes obvious to all the other demons present that the Fourth Hell of Punishment is truly the mightiest among all the others. Even mere Dukes can explode with the power of Emperors, should Auger choose to grant them that ability.
As for the First Hell of Damnation, its remaining members are truly a miserable sight. Bael has become the lone Emperor still loyal to his Hell, while Mephisto and Zamiel no longer care about the alliances of their species. Bael is joined by Vepar, formerly the Baron of Toxicity, now having evolved to the rank of Duke through the human-demon alliance efforts.
Vepar, while not an Emperor, is still an insidious existence. Like Mephisto, she can transform her body into formless clouds of poison gas. She can strike with venom and poison alike, paralyzing her foes or corroding their nervous systems with ease.
Also notably absent is Beelzebub, due to him forcibly becoming aligned to Jason Hiro. While Beelzebub might actually prove an incredible powerhouse if he were to continue fighting for the First Hell's benefits, the problem is that none can say whether his allegiances would make him privy to spilling secrets of this operation to the humans...
From the Second Hell of Lust, not a single Duke joins the party. This Hell has already thrown their lots in with humanity, so no members of the Mephisto Extermination Operation are eager to have their secrets blabbed. Defeating Mephisto could lead to a discovery about the potential for ascension past the rank of Emperor. No demon elite wants that information to fall into the hands of their enemies.
From the Third Hell of Blood, few elites remain. Many of them were slain by the Cherubiim, reducing their Dukes to only a sliver of the other Hells. The Emperor of Thirst, Kristoff, still walks the mortal coil. He is joined by two subordinates, Vespera, the Duke of Gloom, and Rhesus, the Duke of Predation. These are the elites he considers his Hell's most capable remaining powerhouses, and the ones most suited for the mission to bring about Mephisto's end.
From the Fifth Hell of Calamity, a large number of Dukes join two Emperors, Serena and Crow, as they trail along behind the other Hells.
Unbeknownst to anyone present, Emperor Yumagi is alive and well. The only demons who observed his return were those aligned with Mephisto. Not even Gorn is aware that Yumagi survived the Cherubiim's wrath, and Yumagi is strangely keen to keep his return quiet.
As for the Sixth Hell of Isolation, only Emperor Melody has chosen to come along. The other elites of her Hell simply aren't in the right headpsace to join her, following their fall to the Plague.
Yama's Hell, the Seventh Hell of Corruption, has fallen apart with its Emperor being absorbed by Mephisto. Now, its many darkness-aligned entities have scattered in search of a figure lost to time...
Yardrat, Fae, Dagon, Nymph, Bael, Kristoff, Serena, Crow, and Melody march on the Stitched Wasteland, along with twenty Dukes. A terrifying force in any previous era, but one that feels somewhat weak and vulnerable in the months following the return of the Cherubiim, as well as the two Wordsmiths, not even mentioning the enemy they might face should they fail to stop Mephisto's ascension.
Yardrat's glum expression does nothing to uplift the moods of the others around him. As he and the other Emperors run across Numaria's surface, weaving their ways through the dense forests and trees, Bael speaks up from the back.
"Hey, Yardy! Why are we runnin' like a bunch of chumps? Just pop us over to Glinch with those fancy portals of yours!"
Yardrat shoots a glance back at Bael without slowing down. "I can't. Glinch's minions have an uncanny ability to twist the space around themselves. I couldn't create stable portals once we're inside if my life depended on it. I've no doubt he bred them for the express purpose of keeping me from spying on him."
Fae jumps over a bunch of twisted prickle-vines, scratching her palm on their thorns. "Doesn't that mean if something goes wrong, you won't be able to yank us out of the Stitched Wasteland?"
"Trust me." Yardrat mumbles, sounding more than a little depressed. "You don't want to hear my answer."
"There is no need to concern yourselves with escaping." Crow says solemnly, deftly flying through the underbrush with her blue wings. "If Mephisto ascends, it won't matter where we flee. He will be capable of hunting us like deer."
Yardrat snorts. "Speak for yourselves. I enjoy running away if it means saving my life."
"Coward." Bael says. "A REAL man always fights to the end!"
"Aren't you in a woman's body now?" Yardrat shoots back. "You're one to talk."
"H-hey! Women can be real men too!" Bael protests. "Get with the times!"
Emperor Melody laughs. "You tell him, Bael! Preach it!"
Serena remains silent, merely rolling her sightless eyes at everyone else's childish barbs.
...
Five hours pass as the demons race through Numaria's forests.
Eventually, the trees begin to thin out, before abruptly disappearing altogether. As if erased by a nuclear bomb, the forest's cover vanishes to reveal a grey-colored lifeless plain lacking all traces of warmth and life.
The Stitched Wasteland.
As soon as the demon leaders reach the edge of the wasteland, they pause their flight to stop and look around.
"Glinch's domain is bigger than you might first believe," Yardrat explains, gesturing toward the horizon. "Offhand, I believe the last time we measured the Stitched Wasteland's diameter, it was nearly 500 miles. You can't even see the other side from here because it dips below the horizon. The good news is, we only have to travel halfway into the interior, where Glinch's central laboratory resides."
Dagon, the Emperor of Pathogens, kneels down to scratch at the ashen soil. He grimaces as it clings to his palm and starts to burn his flesh.
"Acidic." Dagon mumbles.
"Every time Glinch creates a new thrall, his domain expands." Serena explains. "His toxic miasma is invisible and odorless, but it destroys plant-life and lower animals with ease. It won't have any effect on elites like us, but it's best if you don't deliberately play with the soil he's corroded."
Dagon shakes the soil off his palm, grimacing as he has to clap his hands and rub them against his pants to stop the acid from burning him further. Luckily, one of the Dukes nearby has a weak healing ability, so they're ability to fix him back up.
"What a miserable shithole." Fae groans. "I do NOT get what Glinch enjoys about living here! I'd go crazy from boredom after a week!"
Bael laughs. "No kidding, toots. Why do you think Glinch is such a wacko? He already went crazy!"
"Oh. Fair point." Fae mutters.
The Emperors and Dukes start moving toward the center of the wasteland, following Yardrat's lead. They do not run, but move at a brisk walk, keeping their eyes peeled for threats. Ten miles in the distance, they spot a pair of strange aberrant creatures standing perfectly still, looking at one another with hollow eyes, but they can't make out the details of those figures at their current distance.
"Bael, watch out!" Serena suddenly shouts, startling everyone.
Every demon elite's head snaps toward Bael's general direction just in time to see an invisible creature materializing, its massive body poised with a giant claw up in the air, ready to slash down at Bael.
The monster's huge torso and comparatively tiny head and skinny legs contrast with its wretchedly massive arms, its mottled and rotted skin, and its beady green venomous eyes.
The instant it snaps its claws down to assassinate Bael, the dumb galump accidentally trips on a rock, stumbling and avoiding the monster's attack! Bael falls face-first in the soil and the creature's downward slash swishes across his back, barely missing him by a millimeter!
"Lucky!" Yardrat exclaims, his pupils the size of pinpricks.
Crow roars in rage. She leaps toward the monster, the strange deformed horror with proportions far different from any naturally born creature in existence, and she swings her fist at its chest!
THUMP!
Crow knocks the creature down, sending it skidding backward across the dirt to lay in a heap.
But Crow doesn't celebrate. To her shock, she didn't even manage to bruise the monster, only knock it on its ass! The frighteningly durable monster silently stands up, and its body rapidly fades away as it becomes invisible.
Not once does the creature make a sound.
"Everyone watch out!" Crow shouts. "This bastard is strong! I don't even know if I hurt it!"
The heart of every demon elite skips a beat as they try to look for any signs of the monster. Only Serena, with her Soul Sensing capabilities, manages to trace its vague movement.
"Over there!" Serena says, pointing in front of Yardrat.
The monster once again becomes invisible as it tries to slash Yardrat in half, but he isn't caught off-guard and leaps backward, safely avoiding it just in the nick of time.
"TEAR!" Yardrat yells, gnashing his teeth.
The Emperor of the Void tears the air in front of himself, unable to properly create a portal, but still able to momentarily rip a crack in space straight across the monster's torso.
A shallow cut on its chest is his only reward.
"Lucifer's Tits!" Bael exclaims, climbing to his feet. "This thing is as tough as demonstone!"
Melody fires off sonic blasts at the monster, punching with her fists to try and blow out its eardrums, but her attacks have no effect.
The monster continues charging at Yardrat to try and cut him to pieces. As it does, Crow once again steps up to protect Yardrat, deflecting its rending claws with her steel-like feathers while dishing out punishment with her fists. Crow is without a doubt the most physically imposting member of the party, possessing more strength than any demon in existence except for Belial.
But even she can't manage to do more than knock the monster back!
The other Emperors quickly start pitching in. Dagon summons corrosive chemicals to try and melt the monster's thick hide. Nymph summons vines from beneath its feet to wrap its legs and keep it immobile. Kristoff summons bloodied blades to cut the monster from behind, slashing its back with swords made from his own plasma. Fae fires explosive projectiles with a low yield at the monster, taking care not to accidentally hurt her allies. Melody sends sonic shockwaves into the ground, trying to soften the soil to trap the monster in quicksand.
But the monster proves more frightening than any of the Emperors imagined!
Bae and Serena can't provide much assistance to the others. They watch helplessly as Nymph's vines corrode to ash, melted by the Stitched Wasteland's ability to destroy plant-life. Fae's explosions barely even knock the monster back. Dagon might as well be shooting the monster with a squirt-gun for all the use his chemicals have. Melody can't seem to accomplish anything either!
"Shit." Bael growls. "I gotta help them."
"You don't have any magic." Serena says.
"No. But I got this." Bael says, reaching down to touch his weirdly fancy belt.
When Bael activates the Matriarch's Armor, it begins popping out of his waist and engulfing him from head to toe in lethal-looking demonstone armor. His plated chest and spiked shoulders turn Bael from a dopey looking version of Ose into a commanding and fearful warrior clad in demonic armor, making Serena gasp in surprise.
"Bael?" Serena asks, unable to see the armor, but sensing that his soul has suddenly become difficult to detect due to something shrouding his entire body. "What did you do?"
"Ose gave me some armor." Bael explains. "It ain't mine. But we'll talk 'bout it later. I gotta help the others!"
Bael doesn't hesitate. He rushes toward the monster, joining Crow as a frontline tank to try and draw the creature's attention.
Crow barely even registers Bael's new appearance, shoving any concerns about the demonstone-clad warrior to the back of her mind. All she feels is relief when the monster's brutal strikes slow down as it starts slashing at Bael as well.
THUNK! THUNK!!
The brutish monster silently whales on the others. For ten minutes, Bael and Crow take the beatings of their lives while Yardrat slowly tears its skin and cuts its bones with targeted spatial distortions. He alone manages to injure the creature the most heavily, while the other Dukes and Emperors can barely offer much assistance.
Bael grimaces as the creature grabs him by his helmet, lifts him up, and throw him like a ragdoll. Bael cries out in alarm as he goes flying and lands in the dirt, two hundred feet behind the brute.
"Spawn of a- you piece of trash! Nobody throws Bael!"
He jumps to his feet and starts to run back toward the monster, only to pause when he senses movement.
Bael quickly turns around. He nearly jumps out of his skin when he sees what he can only mentally describe as seventeen snakes with baby-heads crawling along the ground toward him. The snakes have a single conjoined core body that ties them all together, but it appears as flat as a pancake. Like some sort of Hydra consisting of stitched-together body parts, this multi-headed monster uses its childish faces to drag itself toward Bael at a speed most distressing, causing his butthole to pucker up.
"Eee! Gross!" Bael cries. "What in the hellhound's anus is that?!
Like the previous monster, this 'Snakedra' freak doesn't cry out or make any noises. It silently slithers toward Bael while one of its heads remains elevated to gaze directly at him.
Not wanting his friends to be overwhelmed, Bael decides to try and take the monster on by himself. His eyes fill with determination, and he conjures Mjölnir in his grasp, summoning it from his belt.
"Bad snake!" Bael barks, lunging at the monster to smash one of its heads.
SPLAT!!
Bael crushes the first head with ease!
But as he raises the hammer to strike again, the monster pounces at him! Its sixteen remaining heads bite his armor and wrap around his arms and legs, smothering him and causing him to fall backward.
"Crap, crap!" Bael yells. "Uh, don't worry guys, I've got this! Just keep killing the big one! I've got this cunt right where I want him! YEEOUCH!"
The Snakedra squeezes with all its strength, trying to burst Bael's body like a watermelon. Luckily, the demonstone only creaks a bit and doesn't fold inward, allowing Bael to survive, albeit not to do much else.
Serena, seeing that the others are too occupied to help, decides to try and assist Bael in some way. Since her abilities aren't much use against the first monster unless it turns invisible, she turns her gaze toward the Snakedra.
Emperor Serena maintains a good distance between herself and the Snakedra. She closes her eyes, focuses her mind, then shapes her right hand into a claw pose, snapping it in the Snakedra's direction.
An invisible beam of soul energy travels the gaps between dimensions, drilling into one of the Snakedra's heads. Serena focuses with all her might, attempting to try and locate the monster's soul so she can manipulate or influence it.
Unfortunately, she finds that while the creature does have a soul, it has become a mish-mash of fifty other souls, all witlessly stitched together to create an aberrant, thoughtless machine for killing.
Pain. Pain. Pain. The Snakedra thinks.
Pain. Pain. Pain. Serena grimaces. Her eyes squeeze shut even tighter as she tunes out Bael's exclamations of how 'totally okay and fine' he is. She digs deeper into the Snakedra's psyche, eventually extracting a thread of its existence for her own benefit.
Serena's eyes finally open.
While most entities possess eyes that can 'see' the physical realm, even as an imp, Serena was blind from birth. She was never able to see the world around her, but all of that changed when she met her husband, Gorn.
He and her were only Imps at the time. They became Lords together, and upon her ascension, she gained a new type of vision utterly unique to herself.
The power to see the soul realm. While usually incapable of influencing the material realm, the soul realm is the domain Serena has become most adept at influencing over the millennia. As an Emperor, her power has become quite substantial in this regard.
Serena tears a fragment of soul energy out of the monster. It doesn't even shudder, but she doesn't care.
With her soul-seeing eyes, Serena deftly manipulates the thread of soul energy, using her fingers to hastily but efficiently craft a Soul Puppet, something not unlike a voodoo doll.
After forming a Soul Puppet in the form of the Snakedra, Serena grabs it out of the air and begins wrenching its heads around, stabbing at its body with her fingernails, and otherwise torturing the false image as much as possible.
Not once does the Snakedra cry out in pain, but its body does twitch and spasm. It writhes and squirms, continuing to hold Bael steady, but sometimes weakening its grip as it loses control of different parts of its body at random.
Meanwhile, Bael occasionally feels the wretched monster weaken its grip on him. Bael might not be the brightest bulb in the box, but as an accomplished veteran of countless wars, he is well-versed in the art of combat.
Bael isn't certain why the creature has started to spasm, but he won't turn down any good opportunity that arises.
He calls forth the power of Mjölnir, summoning lightning from above to strike the hammer. The moment before the lightning falls upon him, the creature suddenly loosens its grip, allowing Bael to swing the hammer at its central body.
BOOOM!! A terrific blast of thunder and lightning detonates on the Snakedra, making it recoil in agony, release Bael, and pull away from him.
Abruptly dropped on his ass, Bael jumps backward, leaps to his feet, and lifts his hammer high.
"Nobody gives me a squeeze without my OK, bub!"
Bael charges at the monster. He starts smashing its heads one by one, crushing them to bloody pulps while the creature uselessly writhes on the ground, taking the abuse without retaliating.
Five minutes later, Bael slays the bastard, putting it to death for the rest of eternity.
Tired and winded, Bael gasps for air. Never has he had a fight that left him out of breath, but even with the Matriarch's Armor, Ose's body is far weaker than Bael's ever was. He severely regrets losing his invincibility.
Bael turns around and spots Serena.
"Oh! Hey, whew! I just got done kicking that monster's ass!" Bael says. "Good thing I'm such a badass, I must have intimidated it into lettin' me go, heh."
Serena opens her mouth to correct him, but thinks better.
"Right. Excellent work, Bael. You're as capable a fighter as ever."
Bael grins inside his helmet. "Heh, damn right. Now, lemme help the others finish that fat ugly one off."
Bael charges into battle, this time equipped with Mjolnir. He transforms the hammer into his favorite weapon, Big Bonk, and swings the ten ton steel ball at the brutish monster's back.
BOOM!!!
Bael flattens the creature, burying it face-first in the dirt and giving Crow an opportunity to deliver a full-power punch to the back of its head.
SPLAT! Her fist connects, and she crushes the monster's skull, spraying its brains out all over her feet.
Crow pants like a dog on a hot summer's day. Sweat pools on Yardrat's head from the amount of focus he had to exert to kill this first monster. Even Fae and the others look a little tired.
With the crisis momentarily averted, the demon elites look around, finally noticing Bael's new getup, as well as Big Bonk pressing against the brute's back.
"Bael?" Fae asks. "Hot damn, that's a sweet set of armor!"
"You really saved our asses!" Melody adds.
Crow glances toward the other dead monster. "You killed that one? By yourself?"
Bael thumps his chest. "Couldn't have done it without Ose's fancy-shmancy armor. The ugly bugger got so scared, it just laid there and let me beat it to death! Heh!"
"It just laid there?" Crow asks, glancing around. She notices Serena, then pieces the events together. "Oh, I see. Well, god job beating it by yourself, Bael. You still know how to kick tail."
"Damn right!" Bael proclaims, smiling from ear to ear.
One by one, the other demon elites figure out Bael didn't
exactly defeat the monster all by himself, but seeing as how he's been so down ever since losing his powers, they don't want to hurt his feelings.
"We've only fought two creatures so far, but they were both terrifying." Yardrat points out. "If we have to face two or even three at the same time, we might die! Everyone, proceed slowly. Do NOT rush in. We need to pick Glinch's thralls off one by one."
The other demons nod.
"Right!"
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2023.05.29 22:04 Klokinator Cryopod Refresh 492: Glinch's Thralls
On the world of Numaria, more than half a dozen Demon Emperors and twenty Demon Dukes march through the paradise-class planet's forests as they head toward Emperor Glinch's Stitched Wasteland.
Emperor Auger does not directly join the party. He stays back at the capital of his world, viewing the happenings remotely through the power of a subordinate.
But Yardrat does lead the party. He is joined by Emperors Fae, Dagon, and Nymph, as well as Duke Hamir and several other elites of their Hell. It becomes obvious to all the other demons present that the Fourth Hell of Punishment is truly the mightiest among all the others. Even mere Dukes can explode with the power of Emperors, should Auger choose to grant them that ability.
As for the First Hell of Damnation, its remaining members are truly a miserable sight. Bael has become the lone Emperor still loyal to his Hell, while Mephisto and Zamiel no longer care about the alliances of their species. Bael is joined by Vepar, formerly the Baron of Toxicity, now having evolved to the rank of Duke through the human-demon alliance efforts.
Vepar, while not an Emperor, is still an insidious existence. Like Mephisto, she can transform her body into formless clouds of poison gas. She can strike with venom and poison alike, paralyzing her foes or corroding their nervous systems with ease.
Also notably absent is Beelzebub, due to him forcibly becoming aligned to Jason Hiro. While Beelzebub might actually prove an incredible powerhouse if he were to continue fighting for the First Hell's benefits, the problem is that none can say whether his allegiances would make him privy to spilling secrets of this operation to the humans...
From the Second Hell of Lust, not a single Duke joins the party. This Hell has already thrown their lots in with humanity, so no members of the Mephisto Extermination Operation are eager to have their secrets blabbed. Defeating Mephisto could lead to a discovery about the potential for ascension past the rank of Emperor. No demon elite wants that information to fall into the hands of their enemies.
From the Third Hell of Blood, few elites remain. Many of them were slain by the Cherubiim, reducing their Dukes to only a sliver of the other Hells. The Emperor of Thirst, Kristoff, still walks the mortal coil. He is joined by two subordinates, Vespera, the Duke of Gloom, and Rhesus, the Duke of Predation. These are the elites he considers his Hell's most capable remaining powerhouses, and the ones most suited for the mission to bring about Mephisto's end.
From the Fifth Hell of Calamity, a large number of Dukes join two Emperors, Serena and Crow, as they trail along behind the other Hells.
Unbeknownst to anyone present, Emperor Yumagi is alive and well. The only demons who observed his return were those aligned with Mephisto. Not even Gorn is aware that Yumagi survived the Cherubiim's wrath, and Yumagi is strangely keen to keep his return quiet.
As for the Sixth Hell of Isolation, only Emperor Melody has chosen to come along. The other elites of her Hell simply aren't in the right headpsace to join her, following their fall to the Plague.
Yama's Hell, the Seventh Hell of Corruption, has fallen apart with its Emperor being absorbed by Mephisto. Now, its many darkness-aligned entities have scattered in search of a figure lost to time...
Yardrat, Fae, Dagon, Nymph, Bael, Kristoff, Serena, Crow, and Melody march on the Stitched Wasteland, along with twenty Dukes. A terrifying force in any previous era, but one that feels somewhat weak and vulnerable in the months following the return of the Cherubiim, as well as the two Wordsmiths, not even mentioning the enemy they might face should they fail to stop Mephisto's ascension.
Yardrat's glum expression does nothing to uplift the moods of the others around him. As he and the other Emperors run across Numaria's surface, weaving their ways through the dense forests and trees, Bael speaks up from the back.
"Hey, Yardy! Why are we runnin' like a bunch of chumps? Just pop us over to Glinch with those fancy portals of yours!"
Yardrat shoots a glance back at Bael without slowing down. "I can't. Glinch's minions have an uncanny ability to twist the space around themselves. I couldn't create stable portals once we're inside if my life depended on it. I've no doubt he bred them for the express purpose of keeping me from spying on him."
Fae jumps over a bunch of twisted prickle-vines, scratching her palm on their thorns. "Doesn't that mean if something goes wrong, you won't be able to yank us out of the Stitched Wasteland?"
"Trust me." Yardrat mumbles, sounding more than a little depressed. "You don't want to hear my answer."
"There is no need to concern yourselves with escaping." Crow says solemnly, deftly flying through the underbrush with her blue wings. "If Mephisto ascends, it won't matter where we flee. He will be capable of hunting us like deer."
Yardrat snorts. "Speak for yourselves. I enjoy running away if it means saving my life."
"Coward." Bael says. "A REAL man always fights to the end!"
"Aren't you in a woman's body now?" Yardrat shoots back. "You're one to talk."
"H-hey! Women can be real men too!" Bael protests. "Get with the times!"
Emperor Melody laughs. "You tell him, Bael! Preach it!"
Serena remains silent, merely rolling her sightless eyes at everyone else's childish barbs.
...
Five hours pass as the demons race through Numaria's forests.
Eventually, the trees begin to thin out, before abruptly disappearing altogether. As if erased by a nuclear bomb, the forest's cover vanishes to reveal a grey-colored lifeless plain lacking all traces of warmth and life.
The Stitched Wasteland.
As soon as the demon leaders reach the edge of the wasteland, they pause their flight to stop and look around.
"Glinch's domain is bigger than you might first believe," Yardrat explains, gesturing toward the horizon. "Offhand, I believe the last time we measured the Stitched Wasteland's diameter, it was nearly 500 miles. You can't even see the other side from here because it dips below the horizon. The good news is, we only have to travel halfway into the interior, where Glinch's central laboratory resides."
Dagon, the Emperor of Pathogens, kneels down to scratch at the ashen soil. He grimaces as it clings to his palm and starts to burn his flesh.
"Acidic." Dagon mumbles.
"Every time Glinch creates a new thrall, his domain expands." Serena explains. "His toxic miasma is invisible and odorless, but it destroys plant-life and lower animals with ease. It won't have any effect on elites like us, but it's best if you don't deliberately play with the soil he's corroded."
Dagon shakes the soil off his palm, grimacing as he has to clap his hands and rub them against his pants to stop the acid from burning him further. Luckily, one of the Dukes nearby has a weak healing ability, so they're ability to fix him back up.
"What a miserable shithole." Fae groans. "I do NOT get what Glinch enjoys about living here! I'd go crazy from boredom after a week!"
Bael laughs. "No kidding, toots. Why do you think Glinch is such a wacko? He already went crazy!"
"Oh. Fair point." Fae mutters.
The Emperors and Dukes start moving toward the center of the wasteland, following Yardrat's lead. They do not run, but move at a brisk walk, keeping their eyes peeled for threats. Ten miles in the distance, they spot a pair of strange aberrant creatures standing perfectly still, looking at one another with hollow eyes, but they can't make out the details of those figures at their current distance.
"Bael, watch out!" Serena suddenly shouts, startling everyone.
Every demon elite's head snaps toward Bael's general direction just in time to see an invisible creature materializing, its massive body poised with a giant claw up in the air, ready to slash down at Bael.
The monster's huge torso and comparatively tiny head and skinny legs contrast with its wretchedly massive arms, its mottled and rotted skin, and its beady green venomous eyes.
The instant it snaps its claws down to assassinate Bael, the dumb galump accidentally trips on a rock, stumbling and avoiding the monster's attack! Bael falls face-first in the soil and the creature's downward slash swishes across his back, barely missing him by a millimeter!
"Lucky!" Yardrat exclaims, his pupils the size of pinpricks.
Crow roars in rage. She leaps toward the monster, the strange deformed horror with proportions far different from any naturally born creature in existence, and she swings her fist at its chest!
THUMP!
Crow knocks the creature down, sending it skidding backward across the dirt to lay in a heap.
But Crow doesn't celebrate. To her shock, she didn't even manage to bruise the monster, only knock it on its ass! The frighteningly durable monster silently stands up, and its body rapidly fades away as it becomes invisible.
Not once does the creature make a sound.
"Everyone watch out!" Crow shouts. "This bastard is strong! I don't even know if I hurt it!"
The heart of every demon elite skips a beat as they try to look for any signs of the monster. Only Serena, with her Soul Sensing capabilities, manages to trace its vague movement.
"Over there!" Serena says, pointing in front of Yardrat.
The monster once again becomes invisible as it tries to slash Yardrat in half, but he isn't caught off-guard and leaps backward, safely avoiding it just in the nick of time.
"TEAR!" Yardrat yells, gnashing his teeth.
The Emperor of the Void tears the air in front of himself, unable to properly create a portal, but still able to momentarily rip a crack in space straight across the monster's torso.
A shallow cut on its chest is his only reward.
"Lucifer's Tits!" Bael exclaims, climbing to his feet. "This thing is as tough as demonstone!"
Melody fires off sonic blasts at the monster, punching with her fists to try and blow out its eardrums, but her attacks have no effect.
The monster continues charging at Yardrat to try and cut him to pieces. As it does, Crow once again steps up to protect Yardrat, deflecting its rending claws with her steel-like feathers while dishing out punishment with her fists. Crow is without a doubt the most physically imposting member of the party, possessing more strength than any demon in existence except for Belial.
But even she can't manage to do more than knock the monster back!
The other Emperors quickly start pitching in. Dagon summons corrosive chemicals to try and melt the monster's thick hide. Nymph summons vines from beneath its feet to wrap its legs and keep it immobile. Kristoff summons bloodied blades to cut the monster from behind, slashing its back with swords made from his own plasma. Fae fires explosive projectiles with a low yield at the monster, taking care not to accidentally hurt her allies. Melody sends sonic shockwaves into the ground, trying to soften the soil to trap the monster in quicksand.
But the monster proves more frightening than any of the Emperors imagined!
Bae and Serena can't provide much assistance to the others. They watch helplessly as Nymph's vines corrode to ash, melted by the Stitched Wasteland's ability to destroy plant-life. Fae's explosions barely even knock the monster back. Dagon might as well be shooting the monster with a squirt-gun for all the use his chemicals have. Melody can't seem to accomplish anything either!
"Shit." Bael growls. "I gotta help them."
"You don't have any magic." Serena says.
"No. But I got this." Bael says, reaching down to touch his weirdly fancy belt.
When Bael activates the Matriarch's Armor, it begins popping out of his waist and engulfing him from head to toe in lethal-looking demonstone armor. His plated chest and spiked shoulders turn Bael from a dopey looking version of Ose into a commanding and fearful warrior clad in demonic armor, making Serena gasp in surprise.
"Bael?" Serena asks, unable to see the armor, but sensing that his soul has suddenly become difficult to detect due to something shrouding his entire body. "What did you do?"
"Ose gave me some armor." Bael explains. "It ain't mine. But we'll talk 'bout it later. I gotta help the others!"
Bael doesn't hesitate. He rushes toward the monster, joining Crow as a frontline tank to try and draw the creature's attention.
Crow barely even registers Bael's new appearance, shoving any concerns about the demonstone-clad warrior to the back of her mind. All she feels is relief when the monster's brutal strikes slow down as it starts slashing at Bael as well.
THUNK! THUNK!!
The brutish monster silently whales on the others. For ten minutes, Bael and Crow take the beatings of their lives while Yardrat slowly tears its skin and cuts its bones with targeted spatial distortions. He alone manages to injure the creature the most heavily, while the other Dukes and Emperors can barely offer much assistance.
Bael grimaces as the creature grabs him by his helmet, lifts him up, and throw him like a ragdoll. Bael cries out in alarm as he goes flying and lands in the dirt, two hundred feet behind the brute.
"Spawn of a- you piece of trash! Nobody throws Bael!"
He jumps to his feet and starts to run back toward the monster, only to pause when he senses movement.
Bael quickly turns around. He nearly jumps out of his skin when he sees what he can only mentally describe as seventeen snakes with baby-heads crawling along the ground toward him. The snakes have a single conjoined core body that ties them all together, but it appears as flat as a pancake. Like some sort of Hydra consisting of stitched-together body parts, this multi-headed monster uses its childish faces to drag itself toward Bael at a speed most distressing, causing his butthole to pucker up.
"Eee! Gross!" Bael cries. "What in the hellhound's anus is that?!
Like the previous monster, this 'Snakedra' freak doesn't cry out or make any noises. It silently slithers toward Bael while one of its heads remains elevated to gaze directly at him.
Not wanting his friends to be overwhelmed, Bael decides to try and take the monster on by himself. His eyes fill with determination, and he conjures Mjölnir in his grasp, summoning it from his belt.
"Bad snake!" Bael barks, lunging at the monster to smash one of its heads.
SPLAT!!
Bael crushes the first head with ease!
But as he raises the hammer to strike again, the monster pounces at him! Its sixteen remaining heads bite his armor and wrap around his arms and legs, smothering him and causing him to fall backward.
"Crap, crap!" Bael yells. "Uh, don't worry guys, I've got this! Just keep killing the big one! I've got this cunt right where I want him! YEEOUCH!"
The Snakedra squeezes with all its strength, trying to burst Bael's body like a watermelon. Luckily, the demonstone only creaks a bit and doesn't fold inward, allowing Bael to survive, albeit not to do much else.
Serena, seeing that the others are too occupied to help, decides to try and assist Bael in some way. Since her abilities aren't much use against the first monster unless it turns invisible, she turns her gaze toward the Snakedra.
Emperor Serena maintains a good distance between herself and the Snakedra. She closes her eyes, focuses her mind, then shapes her right hand into a claw pose, snapping it in the Snakedra's direction.
An invisible beam of soul energy travels the gaps between dimensions, drilling into one of the Snakedra's heads. Serena focuses with all her might, attempting to try and locate the monster's soul so she can manipulate or influence it.
Unfortunately, she finds that while the creature does have a soul, it has become a mish-mash of fifty other souls, all witlessly stitched together to create an aberrant, thoughtless machine for killing.
Pain. Pain. Pain. The Snakedra thinks. Pain. Pain. Pain.
Serena grimaces. Her eyes squeeze shut even tighter as she tunes out Bael's exclamations of how 'totally okay and fine' he is. She digs deeper into the Snakedra's psyche, eventually extracting a thread of its existence for her own benefit.
Serena's eyes finally open.
While most entities possess eyes that can 'see' the physical realm, even as an imp, Serena was blind from birth. She was never able to see the world around her, but all of that changed when she met her husband, Gorn.
He and her were only Imps at the time. They became Lords together, and upon her ascension, she gained a new type of vision utterly unique to herself.
The power to see the soul realm.
While usually incapable of influencing the material realm, the soul realm is the domain Serena has become most adept at influencing over the millennia. As an Emperor, her power has become quite substantial in this regard.
Serena tears a fragment of soul energy out of the monster. It doesn't even shudder, but she doesn't care.
With her soul-seeing eyes, Serena deftly manipulates the thread of soul energy, using her fingers to hastily but efficiently craft a Soul Puppet, something not unlike a voodoo doll.
After forming a Soul Puppet in the form of the Snakedra, Serena grabs it out of the air and begins wrenching its heads around, stabbing at its body with her fingernails, and otherwise torturing the false image as much as possible.
Not once does the Snakedra cry out in pain, but its body does twitch and spasm. It writhes and squirms, continuing to hold Bael steady, but sometimes weakening its grip as it loses control of different parts of its body at random.
Meanwhile, Bael occasionally feels the wretched monster weaken its grip on him. Bael might not be the brightest bulb in the box, but as an accomplished veteran of countless wars, he is well-versed in the art of combat.
Bael isn't certain why the creature has started to spasm, but he won't turn down any good opportunity that arises.
He calls forth the power of Mjölnir, summoning lightning from above to strike the hammer. The moment before the lightning falls upon him, the creature suddenly loosens its grip, allowing Bael to swing the hammer at its central body.
BOOOM!!
A terrific blast of thunder and lightning detonates on the Snakedra, making it recoil in agony, release Bael, and pull away from him.
Abruptly dropped on his ass, Bael jumps backward, leaps to his feet, and lifts his hammer high.
"Nobody gives me a squeeze without my OK, bub!"
Bael charges at the monster. He starts smashing its heads one by one, crushing them to bloody pulps while the creature uselessly writhes on the ground, taking the abuse without retaliating.
Five minutes later, Bael slays the bastard, putting it to death for the rest of eternity.
Tired and winded, Bael gasps for air. Never has he had a fight that left him out of breath, but even with the Matriarch's Armor, Ose's body is far weaker than Bael's ever was. He severely regrets losing his invincibility.
Bael turns around and spots Serena.
"Oh! Hey, whew! I just got done kicking that monster's ass!" Bael says. "Good thing I'm such a badass, I must have intimidated it into lettin' me go, heh."
Serena opens her mouth to correct him, but thinks better.
"Right. Excellent work, Bael. You're as capable a fighter as ever."
Bael grins inside his helmet. "Heh, damn right. Now, lemme help the others finish that fat ugly one off."
Bael charges into battle, this time equipped with Mjolnir. He transforms the hammer into his favorite weapon, Big Bonk, and swings the ten ton steel ball at the brutish monster's back.
BOOM!!!
Bael flattens the creature, burying it face-first in the dirt and giving Crow an opportunity to deliver a full-power punch to the back of its head.
SPLAT!
Her fist connects, and she crushes the monster's skull, spraying its brains out all over her feet.
Crow pants like a dog on a hot summer's day. Sweat pools on Yardrat's head from the amount of focus he had to exert to kill this first monster. Even Fae and the others look a little tired.
With the crisis momentarily averted, the demon elites look around, finally noticing Bael's new getup, as well as Big Bonk pressing against the brute's back.
"Bael?" Fae asks. "Hot damn, that's a sweet set of armor!"
"You really saved our asses!" Melody adds.
Crow glances toward the other dead monster. "You killed that one? By yourself?"
Bael thumps his chest. "Couldn't have done it without Ose's fancy-shmancy armor. The ugly bugger got so scared, it just laid there and let me beat it to death! Heh!"
"It just laid there?" Crow asks, glancing around. She notices Serena, then pieces the events together. "Oh, I see. Well, god job beating it by yourself, Bael. You still know how to kick tail."
"Damn right!" Bael proclaims, smiling from ear to ear.
One by one, the other demon elites figure out Bael didn't exactly defeat the monster all by himself, but seeing as how he's been so down ever since losing his powers, they don't want to hurt his feelings.
"We've only fought two creatures so far, but they were both terrifying." Yardrat points out. "If we have to face two or even three at the same time, we might die! Everyone, proceed slowly. Do NOT rush in. We need to pick Glinch's thralls off one by one."
The other demons nod.
"Right!"
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2023.05.29 21:59 BaseballBot No-H****r Alert - Staumont, Mayers (Royals) vs. Cardinals
Royals (16-38) @ Cardinals (24-31)
First Pitch: 2:15 PM at Busch Stadium
Line Score - Bases empty, 2 Outs, Bottom of the 9th
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | R | H | E | LOB |
KC | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 7 | 16 | 0 | 14 |
STL | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | | 0 | 2 | 0 | 2 |
Box Score
STL | IP | H | R | ER | BB | SO | P-S | ERA |
Wainwright | 5.0 | 9 | 3 | 3 | 2 | 6 | 105-67 | 6.15 |
Matz | 2.2 | 2 | 1 | 1 | 0 | 4 | 50-36 | 5.60 |
VerHagen | 0.2 | 5 | 3 | 3 | 1 | 1 | 33-18 | 4.39 |
Stratton | 0.2 | 0 | 0 | 0 | 0 | 1 | 8-6 | 3.77 |
KC | IP | H | R | ER | BB | SO | P-S | ERA |
Staumont | 1.0 | 0 | 0 | 0 | 0 | 2 | 14-8 | 4.50 |
Mayers | 6.0 | 2 | 0 | 0 | 0 | 3 | 76-50 | 1.35 |
Clarke | 1.0 | 0 | 0 | 0 | 0 | 0 | 7-5 | 3.16 |
Garrett, A | 0.2 | 0 | 0 | 0 | 0 | 2 | 15-11 | 3.05 |
Scoring Plays
Highlights
Description | Length | Video |
Bullpen availability for Kansas City, May 29 vs Cardinals | 0:07 | Video |
Bullpen availability for St. Louis, May 29 vs Royals | 0:07 | Video |
Fielding alignment for St. Louis, May 29 vs Royals | 0:11 | Video |
Fielding alignment for Kansas City, May 29 vs Cardinals | 0:11 | Video |
Starting lineups for Royals at Cardinals - May 29, 2023 | 0:09 | Video |
Breaking down Adam Wainwright's pitches | 0:08 | Video |
Adam Wainwright's outing against the Royals | 0:25 | Video |
Breaking down Mike Mayers's pitches | 0:08 | Video |
Mike Mayers's outing against the Cardinals | 0:23 | Video |
The distance behind Bobby Witt Jr.'s home run | 0:14 | Video |
The distance behind Michael Massey's home run | 0:16 | Video |
Bobby Witt Jr.'s home run through bat tracking data | 0:09 | Video |
Cardinals honor the life and legacy of Rick Hummel | 1:39 | Video |
Lars Nootbaar makes a difficult leaping catch | 0:29 | Video |
Lars Nootbaar exits with an injury in the 3rd | 0:39 | Video |
Vinnie Pasquantino rips an RBI double down the line | 0:29 | Video |
Freddy Fermin makes a nice catch in foul territory | 0:35 | Video |
MJ Melendez plates Salvador Perez with an RBI triple | 0:29 | Video |
Freddy Fermin scores Melendez with an RBI sac bunt | 0:23 | Video |
Drew Waters makes a diving catch to end the 6th | 0:16 | Video |
Adam Wainwright strikes out six over five innings | 0:59 | Video |
Mike Mayers finishes seven combined perfect innings | 0:13 | Video |
Vinnie Pasquantino scores Lopez with an RBI single | 0:23 | Video |
Arenado breaks up perfect game with single in 8th | 0:12 | Video |
Bobby Witt Jr. crushes a solo home run to left field | 0:29 | Video |
Michael Massey launches a two-run homer to right | 0:30 | Video |
Mike Mayers pitches six-plus near-perfect innings | 1:44 | Video |
Updated at 5:02 PM. Remember to
sort by new to keep up!
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2023.05.29 21:57 ensluck 💐 Alien Flowers by Fran Rodriguez 💐
Fran Rodriguez returns to Nifty Gateway Curated with Alien Flowers About the Collection "I have always wanted to create new worlds with my collages. Landscapes and realities that are not in existence using the fragments of the reality we know: old photos, public domain archives, image banks. The digital archeology in search of the perfect image can take years. The flowers in these pieces do not exist. They have never existed. They have been generated using AI and incorporated into my usual workflow: collage, editing, and digital painting in Photoshop. This newly imagined digital nature only reinforces my love for the nature we know and experience every day. Go outside, smell the flowers."
- Fran Rodriguez
About the Drop This collection features 3 Open Editions, 1 Ranked Auction, and a Bidders Edition, and opens today at 6:30pm ET.
Ranked Auction - BOOM, Edition of 10, $10 minimum bid interval, Available for 24 hours
- Any successful bids placed on BOOM will receive an edition of CONTACT , limit of 1 bidder edition per user.
Open Editions Plus, collectors holding a complete 4-piece set from this collection will be able to claim one hand signed high quality art print (11.7" x 16.5") of his/her favorite work from the drop. The complete set can be collected on primary or secondary, must be holding all 4 pieces on June 6th to qualify, snapshot will be taken on June 6th at 3pm ET and the NFTs must be held in your Nifty wallet to qualify.
View the drop submitted by
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2023.05.29 21:54 matmahn Increase LoRA flexibility
| I would love to live in a world where I can prompt my realistic LoRA to any scenario, so if I trained with about 20 images of a person (diverse data, see below, some of those are cropped to be close-ups), it can then place that person either running at the beach far away or show a great portrait of them. Right now, my LoRAs are portrait machines, really and as the prompt grows in size or complexity their quality decay. Is this just an inherit flaw of LoRAs? Am I doing something wrong? Here are my training params (I am using cloneofsimo's script as a basis): { "params": { "train_text_encoder": true, "resolution": 512, "train_batch_size": 1, "gradient_accumulation_steps": 1, "scale_lr": true, "learning_rate_unet": 0.00005, "learning_rate_text": 0.000045, "learning_rate_ti": 0.00005, "color_jitter": true, "lr_scheduler": "cosine_with_restarts", "lr_warmup_steps": 10, "placeholder_tokens": "", "save_steps": 1000000, "max_train_steps_ti": 1500, "max_train_steps_tuning": 1500, "perform_inversion": true, "clip_ti_decay": true, "weight_decay_ti": 0, "weight_decay_lora": 0.001, "continue_inversion": true, "continue_inversion_lr": 0.0001, "lora_rank": 128 } } https://preview.redd.it/ekp329rs9v2b1.png?width=1572&format=png&auto=webp&s=94cb8a891a607f95914e56078912785516965869 submitted by matmahn to StableDiffusion [link] [comments] |
2023.05.29 21:49 audmann Recreating Georgian-era "Tear Catchers" or "throwaway" bottles
This is a total shot in the dark: I'm working for an artist who is looking to have a recreation of one of these bottles blown and etched for an upcoming art exhibition, and I do not know where to start. We are Toronto-based, so I guess I would be looking for a glass studio or manufacturer in Ontario who could do a customized size and then etch using a vector file we provide. Any info, even just the name/style of this type of glass making would help!
Image reference here submitted by
audmann to
glassheads [link] [comments]
2023.05.29 21:49 GoatKingShanie I’m confused
2023.05.29 21:48 Nightscale_XD Opinion On AI For References?
What are people's opinions on using AI to generate reference images of system members? Someone I know suggested I try that since I'm broke and don't have art skills, and I kind of liked the idea but I do have concerns about doing so. What do you guys think?
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